How to choose your wedding readings

A reading is the one part of a ceremony a couple hands to somebody else, which makes it the part most likely to go sideways. This is how to choose one that fits the ceremony you are actually having, how many to have, who should read it, and what to tell them so they are not standing at the front discovering the poem for the first time.

Then take the libraries below. Every text in them is printed in full, with the year it was published and the reason it is free for anyone to use, because a wedding program is a publication and a great many of the poems circulating on wedding sites are not free at all.

One reading, maybe two, almost never three

A ceremony has a shape. It rises through the welcome and the address, peaks at the vows and the rings, and releases at the pronouncement. Readings sit in the run-up, and each one costs about a minute of the room’s attention at the point where attention is most fragile. One reading is the right answer for most weddings. Two works if they are short and clearly different from each other. Three is where guests start checking the time.

The reason couples end up with four is rarely artistic; it is that four people wanted a role. Solve that problem the way it actually needs solving. Give somebody a ritual to perform, somebody a toast at the reception, somebody the job of walking a grandparent in. A ceremony can carry many people; it cannot carry many readings.

Choose the text for the reader, not only for the couple

The most common mistake is choosing a beautiful poem and then handing it to whoever was next on the list. It should work the other way around. Pick the person first, because you know who can hold a room and who will be shaking, and then choose a text that suits them.

A nervous reader needs something short, in plain modern English, in prose rather than verse, with no unfamiliar words. A confident reader can take a sonnet with a complicated argument in it. And a child can take something funny and rhyming, where a stumble is charming rather than painful. Any of those choices makes a good ceremony; the mismatch is what makes a bad one.

Brief the reader properly, and do it early

Send the text as soon as you choose it, not the week before. Tell them exactly how long it is, ask them to read it aloud standing up and time it, and ask them to flag any word they are unsure how to say. Then print it for them in a large, clear font on stiff paper or card, and give it to them on the day. Do not leave a reading on a phone: screens dim, sunlight wins, and batteries die at the worst possible moment.

Tell them the mechanics too, because most of the anxiety is about logistics rather than poetry. When will they be called, by name or by a nod. Where they should stand. Whether there is a microphone and how close to hold it. Where to put the card down afterward. And that if they lose their place, the room will wait, because it always does.

Where a reading goes, and how to introduce it

The usual position is after the officiant’s address and before the vows, where it gives the room a change of voice at the point the ceremony would otherwise start to feel like one person talking. If there are two, split them: one there and one after the rings, so the ceremony is not front-loaded.

The officiant should call the reader by name, wait for them to reach the front, and thank them by name as they sit back down. That is the whole ritual, and it matters more than it sounds: a reader who is left to work out for themselves whether it is their turn is a reader who starts badly.

Check the poem is free before you print it

A wedding program is a publication, and most of the poems shared around on wedding sites are still under copyright. The safe bright line is first publication before 1930: essentially everything older than that is free to use in the United States, and a great deal of what feels traditional is not older than that at all.

Some famous examples catch people out. "The Art of Marriage", "Union", and "Blessing for a Marriage" are all twentieth-century and protected. So is every Neruda, every e.e. cummings, every Mary Oliver, and every modern translation of Rilke or Rumi. The wedding blessing that begins "Now you will feel no rain" is presented everywhere as an Apache prayer and is in fact a passage from a 1947 novel, recent enough that we treat it as protected, and never Apache at all.

You may still read any of those at your own wedding; reading aloud to your guests is not publishing. What you should not do is reprint them in a program or on a website without permission. Everything in the three libraries below is printed with its publication year and its source, so you can check us before you check anyone else.

The libraries

Every text is printed in full, with the year it was first published, the reason it is free for anyone to use, and a link to the source we checked.

Keep the readings with the rest of the ceremony

RiteBinder is the booking desk and the writing desk in one: the interview, the script, the readings, and a podium that needs no signal on the day. Free to start.

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Frequently Asked Questions

How many readings should a wedding ceremony have?
One for most weddings, two at the outside, and three only if the ceremony is deliberately long. Each reading costs about a minute at the point where the room’s attention is most fragile. If several people want a role, give them a ritual, a toast, or a walk down the aisle instead of a fourth poem.
Who should read at a wedding?
Someone who can be heard and who will not fall apart, which is not always the person closest to the couple. Ask directly rather than assigning it, since plenty of people would rather not, and choose the person before you choose the text so you can match one to the other.
How long should a wedding reading be?
Between twenty seconds and about a minute spoken aloud. That is shorter than most people expect and much shorter than most poems people bring. Every text in these libraries carries its spoken length so you can plan the ceremony honestly.
Can we use any poem we like in our ceremony?
You can read anything aloud at your own wedding. Printing it in a program or posting it online is publishing, and most modern poems are still in copyright. Anything first published before 1930 is free to use in the United States, which covers every text in these libraries.
Should the officiant read, or should a guest?
A guest, wherever possible. The change of voice is half the point: it breaks up a ceremony that is otherwise one person speaking, and it gives someone a real role. If nobody is willing, the officiant can read it, but keep it short so the ceremony does not become a monologue.

RiteBinder

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The day RiteBinder opens, run a whole ceremony from one desk — book it, write it with the couple or family, and read it from the podium on the day, even with no signal. Leave your email to hold your place.

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